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Archive for March, 2017

Our Man in Havana (1959) Blu-Ray Review

Thursday, March 30th, 2017


Stars – Alec Guiness, Noel Coward, Ernie Kovacs,. Ralph Richardson, Maureen O’Hara, Burl Ives, Jo Morrow
Director – Carol Reed

Released by Twilight Time
Limited edition of 3,000 Units
Available at Screenarchives.com and Twilighttimemovies.com

Reviewed by Steven Ruskin

The film opens with a man on the street looking up at a women standing on a terrace. They are giving each other a real once over. He takes a very salacious bite out of an apple and tosses it to her. She takes an even more suggestive bite out of that apple and tosses it back. This goes on during the credits. It’s a playful bit that characterizes the attitude of the film very well. Looking at it now you’d want to call it a spy spoof. But in 1959 there weren’t many spy films in abundance to make fun of. A few years later in 1966 we had Where The Spies Are with David Niven, Last of the Secret Agents with the comedy team of Allen and Rossi and even Our Man Flint with James Coburn. The James Bond films and The Man From Uncle TV series primed audiences for a good old fashioned send up.

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Carol Reed is likely best known now for directing Orson Welles in the acclaimed 1949 mystery Film Noir The Third Man. It’s a crackerjack film with gorgeous dark shadowy photography and some nice plots turns. Graham Greene wrote the novel it was based on as well as Our Man in Havana. Greene wrote the screenplays for each of them, too. What comes across right away is how accomplished this film is. It’s not an out and out comedy. Amusing is probably the better word. The style of humor is much more in line with the kind of films that Ealing studios made in Britain. The way certain actors are directed to move through this wacky plot is where much of the fun is derived. Alec Guiness is a vacuum cleaner salesman. Noel Coward talks him into being his number one agent in Cuba. This was filmed right there in Cuba just before the revolution. The timing is a bit too close. Guiness basically makes up anything he can think of to keep his new boss happy. He is able to make enough money to send his wild and flirtatious daughter to a proper finishing school. Ernie Kovacs is on hand to play a totally corrupt Chief of police who buys into this whole scheme. Burl Ives the folk singer also gets in on the action.

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Watching Noel Coward and Alec Guiness weave their way through this crazy plotline is the charm of the piece. They are funny in an elegant way. If one is not used to this type of humor it’s likely to seem off to you at first. Stick with it. There are benefits to be had from developing an appreciation for this sort of thing. Those who know this one will find the image quality very pleasing. It should look real good. After all the main man in the film is putting on a charade. The better it looks the better it fools those who need to be taken in.

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Video – 2.35:1
The image is nice and crisp.

Audio – DTS HD MA 1.0 in English with subtitles offered in English SDH
All dialogue is nice and clear. The accents are a delight, especially some of the put on ones.

Extras – Twilight Time’s signature isolated score track, Original theatrical trailer.

On a scale of Poor, Fair, Good, Excellent, Classic:

Blu-Ray – Excellent

Movie – Excellent

Office Christmas Party (2016) Blu-Ray Review

Sunday, March 26th, 2017


Stars – Jason Bateman, Olivia Munn, T.J. Miller, Kate McKinnon, and Jennifer Aniston
Directors – Josh Gordon & Will Speck

Released by Paramount

Reviewed by Steven Ruskin

Sometimes stupid just hits the spot. Office Christmas Party has a ridiculous premise. A brother and sister own a big tech firm they inherited from their dad. The wacky party loving brother T.J. Miller has run it into the ground. Jennifer Aniston is the bitch on wheels of a sister who has come to town to close the place down and fire everyone. Unless Jason Bateman and T.J. Miller can land the big new client worth millions. The client meeting goes bad but they learn that the prospect Courtney Vance likes to party and misses the old days when he used to. So Miller decides to risk everything and throw a party to end all parties in the hopes of showing this guy enough of a good time that he signs on the line. We are introduced to the decidedly non PC cross section of people who work and play there. The whole staff loosens up and lets their collective hair down. They destroy the entire office in the process.

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One of the best things Office Christmas Party has going for it is the casting. There are many recognizable to semi recognizable faces that pop up. Kate McKinnon who has been such a big hit on Saturday Night Live lately with her impressions of Hillary Clinton and Kellyanne Conway is spot on as the stuck up head of HR. She has fun with her character’s efforts to make sure everything is safe and fair to people from every conceivable background, race and religion. Naturally there comes a time when she lets go and gets it on. Nicely played. Another surprise is Fortune Feimster from The Mindy Project who turns up as a first time Uber driver who has to pick up Jennifer Aniston. She hits only one note but hits it perfectly. Feimster is funny in her few scenes which are wisely kept to a minimum. Jillian Bell obviously has a good time playing a pistol packing, out of control, and pissed off lady pimp. While Bateman and Munn try to hang on to the threads of a plot line everyone else plays it way over the top.

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Toward the end the prospective client who has inhaled a bag of cocaine that was mistakenly fed into an artificial snow blower climbs out on the second story railing. He grabs a handful of Christmas light strands and prepares to sail out over the party like Jackie Chan did in his killer stunt at the mall in Police Story. The film has some predictably excessive stunts that jeopardize everything. But just like in a cartoon all’s well that end’s well. Is the moral that when things look their worst a huge party couldn’t hurt? This was more enjoyable than I had expected. Give your intellect a night off and enjoy this trashy over the top mess.

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Video – 2.35:1
Everything is very clear and nicely detailed. The whole film has a nice brightness about it that looks like a TV sitcom, as it should.

Audio – DTS-HD Master Audio 7.1 in English with Dolby digital 5.1 in French, Spanish, and Portuguese with subtitles offered in English, English SDH, French, Spanish, and Portuguese.
All dialogue is clear, There are some loud booms heard on the track as things begin to destruct in the office.

Extras – Unrated Version of the film, Commentary by directors Josh Gordon & Will Speck, Throwing an Office Christmas Party, Outtakes, Deleted & Extended Scenes

The unrated version that did not play in theaters, hence not being rated features five more minutes of debauchery and hijinks.

On a scale of Poor, Fair, Good, Excellent, Classic :

Blu-Ray – Excellent

Movie – Good if you are in the mood for this sort of thing

The Wanderers (1979) Blu-Ray Review

Saturday, March 25th, 2017


Stars – Ken Wahl, John Friedrich, Karen Allen, Toni Kalem
Director – Philip Kaufman

Released by Kino Lorber Studio Classics

Reviewed by Steven Ruskin

There are two kinds of people in this world – those who love The Wanderers and those who have not seen it yet. That’s a play on one of the things the Galasso Brothers say in the movie. Philip Kaufman’s film of Richard Price’s novel starts off with a huge bald guy called Terror wolfing down a slice of pizza in one long bite as Frankie Valli and The Four Seasons sing on the soundtrack. He’s standing in the Bronx right down the block from Alexander’s. In short order he and the rest of The Fordham Baldies are chasing a kid named Turkey and a wise ass called Joey down the block. They are going to kick some serious ass if they catch them. The Safari’s Wipeout booms in the background as Joey and Turkey disappear down a back alley stairwell. A few other Wanderers come to help but they are outnumbered. Terror’s huge frame fills the narrow alleyway. It’s curtains for The Wanderers. Suddenly another real big kid steps into the frame. He spits a matchstick out of his mouth and says, “Leave the kid alone.” This guy, Perry saves them. Bang. Boom. Forgetaboutit!

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The film is a series of episodic adventures about Richie and his pals in The Wanderers. It is set in the early sixties when Dion and The Belmonts, The Shirelles and surf music ruled the airwaves. There is a thrilling scene when we watch the guys all assemble as they walk and carouse down the streets to the title tune. We see them engage in some elbow-titting, sing doo-wop in a car ride, get lost and attacked by the fearsome and silent Ducky Boys. The core of these guys also rule the roost at the local bowling alley. There are other gangs, too. Joey leads the new big kid Perry down the hallway of the high school as he points them all out including The Del Bombers and The Wongs. A spate of racial name calling escalates in the classroom that pits the Italian Wanderers against the black Del Bombers. What was going to be a rumble turns into an epic football game towards the end of the film. It’s interesting to see how the racial tensions are settled by a group of overweight guys in Hawaiian shirts who encourage everyone to get along. They do this so they and their friends, who include several black dudes can all bet on the game like the friendly sportsmen they are. These are the Galasso Brothers. Richie was gotten Despie one of their daughters pregnant. His life will soon change.

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There is a friendly rambunctious quality to much of the film. They get most of the details right. The overall chemistry between the guys is so spot on.  The cuts and insults they hurl at each other are really forms of affection. It is an easy film to have a good time with. The soundtrack is full of killer tunes. The guys are a hoot to hang out with. Their problems are universal. Amidst the humor there are problems with parents, alcoholism, peer pressure, the looming Vietnam war and the nagging suspicion that they may all have to grow up at some point. But for now they are the coolest guys in the Bronx. Richie meets the adorably cute Karen Allen on the street and falls for her like a ton of bricks. She remains just out of reach though. There is a very poignant scene at the end when he ducks out of his engagement party to follow her down the block. She goes into Folk City. He watches through a window as Bob Dylan sings, “The Times They are a Changing”. That becomes a coda for the film, signaling the end of an era.

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When the film came out in 1979 it was confused with Walter Hill’s film, The Warriors. Fights had broken out in the audience at a few showings of The Warriors which cast a bad shadow over Kaufman’s picture. Some theaters curtailed or canceled showings. Both are great films and quite different. Like a lot of films from that late seventies and early eighties era it found an audience on the burgeoning cable TV stations. Kino Lorber has included an earlier cut which has about five additional minutes. There is one scene in the high school hallway where the kids talk about the rumble now being a football game. The big fight at the football game, the scene with Joey and Perry crashing at Joey’s house and Turkey’s demise at the hands of the Ducky Boys are extended. The theatrical version we are all familiar with plays better though it is neat to see the scenes that were wisely cut and trimmed.


I’d strongly recommend you take in the “Back to the Bronx” feature. We get to follow author Richard Price as he bombs around the Bronx recalling the film and any number of other interesting topics. Price wrote the recent HBO hit series The Night Of as well as several great books including Clockers which have become movies. He’s a natural storyteller and quite fun to listen to. Of the two Q & A sessions that took place at recent film screenings the winner is the one on the extended cut disc with Philip Kaufman and Alan Rosenberg who played Turkey. Once Kaufman frees himself from the host’s questions he and Rosenberg riff through lots of great stories with enthusiasm and humor. It’s clear they, and many others involved feel the film was something special. They seem genuinely jazzed that the film has achieved the cult status it has today. I heartily recommend this film without any reservation at all. Invite over a bunch of friends, turn the sucker up and enjoy it. I remember screening a print of this for a house full of people that still thought they were going to see that gang picture with the kids in the baseball uniforms. I said no, this is The Wanderers. As soon as the film started they were won over. Wanderers Forever!

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Video – 1.85:1
This new 2K restoration looks great. There is still plenty of grain to be seen. Detail is stronger and sharper in some cases but the film still looks like a film. You can really appreciate the real life locations in The Bronx that were used throughout the film. In one of the very last scenes when Richie follows Karen Allen to Folk City you can plainly see him pass by The Bat Cave which was a movie memorabilia store in the Village well known to film lovers in New York City.

Audio – DTS Track with subtitles offered in English
All dialogue is nice and clear. The soundtrack rocks. Give it some gas and turn it up.

Extras – 124 Minute “Preview Cut” of The Wanderers on a separate disc, Commentary by co-writer and director Philip Kaufman, Commentary by Columbia University Film Professor, Annette Insdorf, Back to the Bronx with Richard Price Featurette,  Wanderers Forever – Live Q&A at NYC’s Film Forum with Karen Allen, Toni Kalem, Tony Ganios and Richard Price,  The Wanderers Q&A at LA’s Cinefamily with Philip Kaufman, Alan Rosenberg and Peter Kaufman, Audio Q&A at NYC’s Film Forum and SF’s Drafthouse with Philip Kaufman and Richard Price ,Introduction by Karen Allen, Toni Kalem and Tony Ganios
Original theatrical trailers and TV Spots

There extras are split between the two discs so make sure you check both to find all the goodies.

On a scale of Poor, Fair, Good, Excellent, Classic :

Blu-Ray – Excellent

Movie – Excellent

Silence (2016) Blu-Ray Review

Saturday, March 25th, 2017


Stars – Andrew Garfield, Adam Driver, Liam Neeson, Tadanobu Asano
Director – Martin Scorsese

Released by Paramount

Reviewed by Steven Ruskin

Silence is a personal film. It gets inside you. Set in the eighteen hundreds we follow two extremely dedicated priests who journey from Portugal in search of another priest who has gone missing in Japan. The spread of the Christian faith and the benefits of trading with the Europeans has been exported in a bundle. At this point in Japan Christianity has been outlawed. Practitioners are persecuted, often killed. Those who believe must hide their faith and worship in secret. There is a fearsome man called The Inquisitor who offers pieces of silver for information on any Christians in hiding. He also tortures those he captures until they refute their beliefs. The two priests Rodriguez (Adam Garfield) and Garupe (Adam Driver) convince the powers that be to let them undertake this mission to find their former mentor.

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There is much water imagery. In fact one of the most dominant effects on the soundtrack is that of water. Ships sail through it. We hear rain drops and storms. Men are drowned in it amidst the terrifying crashing of waves. When the two priests arrive they are quickly hidden and secreted away by a rag tag group of Christian villagers. They feel so blessed to be able to have these actual trained priests it seems they want to keep them to themselves. They are able to confess their sins and be forgiven. When they first meet these two priests they offer them food. In a very telling scene we see Rodriguez wolf down the food. But the others wait. They want a blessing. Did Rodriquez show us just then that survival was more important than faith? Is that primal need the driving force. We as an audience are asked to consider that. Much of what happens to these men is done in such a way as to invite us to reflect on it. Despite the beautiful photography Silence is very much an internal film. We are continually asked to look within and see how we would handle something and what ramifications that decision would have. There are sections in this film that feature people talking philosophy. These ideals are continually put to the test. Not a test to be graded or learned from but in life and death situations.

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There are frequent scenes where people are asked to step on a stone image of Christ or be tortured. Later when Rodriguez is captured he is questioned by the Inquisitor. Again it starts with discussions of philosophy and religion. But soon the Inquisitor puts the priest’s beliefs to the test. He is asked to recant his faith. They call it apostatizing. If he does not apostatize then people will be tortured and killed. The Inquisitor reminds him that these people are dying for your belief. This central conceit is revisited throughout the film. Is one’s faith worth the life of others? Certainly saying mere words to save a life is the right choice. They say that Christ himself would do this. And yet there are those that have given their word who now practice their faith in silence. How can one bear this silence. All these heady themes run through this film like the water we frequently see. It is a very powerful piece. The movie runs two hours and forty minutes. When you watch this film you are asked to look inward, to consider, and to weigh your thoughts. Yes there is a strong story and yes there is an ending but the journey is deeply personal if you allow it in.

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The acting is uniformly excellent. If you only know Andrew Garfield from Spiderman and The Social Network you’ll be deeply impressed. Garfield has show himself quite capable of handling difficult dramas before with films like Boy A (2007), Red Riding (2009) and Never Let Me Go (2010). Adam Driver also impresses with how deeply he appears to invest in his character. Liam Neeson who plays the lost priest worked with Scorsese before on The Gangs of New York (2002) interestingly playing a character who was nick named, Priest. Asano Tadanobu who plays a man who is tasked with interpreting the languages for Rodriguez and The Inquisitor. Scorsese mentions in the included featurette that he liked him from when he first saw him in Ichi The Killer (2001).

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Watching this film is not an easy task. Scorsese keeps him camera in check here. There are no obvious directorial flourishes. The soundtrack is concerned more with how water sounds than any pop tune that might fit in nicely. He utilizes a technique that is common to a lot of Asian. Films. He allows his actors time to work a scene. We stay still and watch. We sit and listen. We’re not outwardly told all that much. Instead we are asked to consider. If that works for you this is a very powerful experience. I saw it by myself. It feels like a solo journey. A long time ago Harvey Keitel held his hand over a flame in Mean Streets (1983). Why did he do that? Was he showing how strong he was, how determined a man he had become or was he testing his faith. Maybe he was asking something. Martin Scorsese has been asking this question for many years now and Silence just may finally be his answer.

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Video – 2.35:1
There are times when a small boat coasts through the water. Mist and fog rise up from the surface. The color looks ethereal. The coastlines cut into the water look bold and beautiful. There is detail in the clothing but the lines in people’s faces stand out much more. This is a very artfully done film. Much of it is breathtaking. But what lurks beneath all that stunning photography is much more captivating.

Audio – English DTS-HD MA 5.1, Spanish Dolby 5.1, French Dolby 5.1
with subtitles offered in English, French, Spanish and English SDH Closed-captioned
The directionality in the mix is very evident in the way that the many sounds of water are presented. We can hear the gentle drops of rain on the soft petals of broad leaves. We can feel the crushing tide blasting in to take the lives of men tied to wooden stakes stuck in the sand. There are the drops of blood slowly dripping from a tiny wound cut into men’s heads as they are tied upside down in a pit. The languages spoken all get plenty of room so we can hear the cadence and feel the meaning even before they are translated for us.

Extras – “Martin Scorsese’s Journey Into Silence” Featurette

This 25 minute piece lets us hear from most everyone connected to the film. Scorsese and writer Jay Cocks share how long it took to get this to the screen. The actors talk about the arduous experience working on the picture.

On a scale of Poor, Fair, Good, Excellent, Classic :

Blu-Ray – Excellent

Movie – Excellent